Erotokritos Totally Explained

Everything about Erotokritos totally explained

Erotokritos (Greek Ερωτόκριτος) is a romance composed by Vitsentzos or Vikentios Kornaros in early 17th century Crete. Even though the plot is trivial, it's said that Cornaros was inspired by the french medieval play "Paris et Vienne", which he turned into a literal masterpiece. It consists of 10,012 fifteen-syllable rhymed verses. Erotokritos and the Erophili of Georgios Hortatzis constitutes the classic examples of Greek renaissance literature. Its themes are love, honour, friendship and courage. It is written in characteristic Cretan language and rhyme, similar to traditional mantinades. "Erotokritos" sets great store by true love, friendship, courage and patriotism, and this is the reason for its later popularity all over Greece. It was a great source of inspiration for Dionysios Solomos and influenced Greek poets as diverse as Kostis Palamas, Kostas Krystallis and George Seferis. Erotokritos still remains a popular classic work, largely due to the music that accompanies it and it's still being sung nowadays. The names of the heroes, Erotokritos and Aretoussa, can still be found in Crete. The poem clearly grows out of a tradition of creating long poetic narratives for oral performance. That is the way it has survived all over Crete, where it has become the preferred regional epic, and where some of the older generation can still perform the entire composition from memory. Many, if not most of those who can recite large portions of the poem have never read it; their knowledge comes soley from the oral tradition that the romantic epic seems to have created soon after its first publication. Seen from another perspective, the oral performance of Erotokritos and its written form are co- dependent phenomena, continually interacting over the last three centuries. The high literary Modernist tradition has also on occasion celebrated the early modern poem: "Upon a Foreign Verse" by Nobel prize-winning poet George Seferis (1931) in which the poet's vision of Odysseus, summoned through the rhythm of sea and verse, reminds him in turn of old sailors "who told me, in my childhood years, the song of Erotokritos, with tears in their eyes." Several groups of (well known) Cretan musicians have put selected parts of the poem to music, resulting in beautiful and extremely Cretan exposures of musical art, often searching the edges of the local musical tradition.
   Its name has been taken from Erotokritos, the main character of this poem, which implies the one that has been tortured by love. Initially, the story of the poem appears to take place in Ancient Athens, on the days of King Iraklis (fictitious person) but then the poet adds characters, facts and places that are reported in the Middle Ages and this period of time. The plot is twisting around the love of Erotokritos and Aretoussa, the daughter of the King, a love that's being used by the poet as a keystone in order to praise friendship, bravery and the love for the homeland.
   Erotokritos was the son of Pezostratos, adviser of the King, who belonged to the inferior social class from the princess, something that made impossible any relation between them. Erotokritos, not having the possibility of expressing his love to Aretoussa, sings in a disguise erotic songs under her window in the evenings, while the princess slowly falls in love with the unknown singer. When the Erotokritos is forced, with his friend Polidoros, to kill ten of the bodyguards of the King that had been sent in order to arrest him, he runs away to the city of Egripos, where, in vain, he tries to forget his love. Aretousa, when the unknown singer stops singing under her window, discovers that she loves him, despite the advices of her nanny, Frosini, who tells her that it's unreasonable to love a stranger and obviously of an inferior social class.
   During a visit of Aretoussa at the house of Pezostratos, father of Erotokritos, she finds out the songs and her picture, discovering thus the identity of her secret admirer and falls in deep sadness. In an attempt to entertain his daughter, the King organises fights of joust, where the most distinguished aristocrats of that time are called. In the fights Erotokritos participates as well, he wins the fight and takes the prize for his victory by the hands of his beloved princess.
   Taking courage from his victory, the young man dares to ask in marriage Aretousa from her father, King Iraklis, asking from his father, Pezostratos to intervene. Iraklis however gets furious,dismisses his adviser, exiles Erotokritos and orders his daughter to marry the successor of throne of the Byzantium. Aretoussa refuses to do this so Iraklis confines her in a dark and humid dungeon, with her nanny, where they remain for years, suffering many hardships. After many years, the king of Vlahias, Vlantistratos, declares a war to Athens and invades with his army causing enormous destructions. Erotokritos after drinking a magic liquid that changes his appearance, comes to help his homeland and causes enormous losses to the hostile army, while during one of the fights, he saves the life of the old King Iraklis and his friend, Polidoros.
    The war is judged in a epic duel between Erotokritos and the nephew of the King of Vlahias, Aristos. Erotokritos overcomes, killing his opponent but gets wounded seriously. The enemies are withdrawn, therefore Erotokritos is transported to the royal palaces, in the room and bed of Aretoussa, where he stays until he's cured. King Iraklis wanting to expresses his gratitude, offers to adopt him and assign to him half of his kingdom. Erotokritos however denies and asks from him to release Aretousa and allowed to him to marry her. In the beginning the princess refuses to be married to a stranger, therefore Erotokritos goes by his own to her and, realising her faith, reveals his real face. The marriage takes place and the young couple gets on the royal throne.
    "Of all the gracious things upon this earth It is fair words that have the greatest worth, And he who uses them with charm and guile Can cozen human eyes to weep or smile." -- V. Kornaros, Erotokritos I 887-90
   Vitsentzos Kornaros is the greatest of all the Cretan poets and one of the most significant and influential figures in the entire course of Greek poetry. For the poet himself nothing is known apart of what he writes about himself in his Conclusion, where he reports that he was born in Sitia, Crete in 1553 and later, when he married, he came to live in the Castle of Candia (now Heraklion)where he joined the Academia dei Stravaganti. It isn't also known whether he'd any relationship with the Kornaros, a big family of nobles, of Venetian origin. Kornaros is also said to have written the poetic drama "Abraham's Sacrifice" which consisted of 1,154 15-syllable verses and was first published in 1635. His ideal was the tragedy "Isaac", by the Italian L. Grotto. Kornaros died in about 1617, an exact contemporary of William Shakespeare.
   It isn't known the time at which the epic was written. The Cretan dialect that's used is considered to have been shaped in this form after the second half of the 16th century. Inside the poem there are passages that imitate the Ariosto's "Raging Dutch", something that places his writing after 1550, while other passages refer to imitations of "Erofili" that was written by the Hortatzi around 1600. Many of the battles that are described in the poem appear to refer in the fights of the Cretans against the Turks after 1645, while despite the big popularity of the poem, there are no reports about it before 1669, when Crete has been dominated, despite the fact that there was a communication between the dominating Venice, where a lot of books were being published.
   The first printed publication of EROTOKRITOS was in 1713 in Venice, a copy of which is saved in the Gennadio Library, while in the British Museum there's saved a handwritten publication from 1710. The publication of 1713 was printed again in 1737 and a copy of it exists today in the National Library, in Athens. Since then, a lot of publications were printed in the Venice, in thousands of copies and in Athens after the German release. The last ones however are of very low qualitiy, full of alterations. The first completed and correct publication, which was based on the initial one of Venice, was in Heraklion of Crete in 1915. In this publication there's an extensive introduction, glossary and bibliography.
   The language of the poem is the dialect of Eastern Crete, which is considered to be particularly developed and capable of expressing effervescently so many ideas as well as sentiments. It is considered to be well comprehensible by the Greeks of that time, while even today it isn't excessively difficult to read. What in any case deserves to be marked is that even if Kornaros is considered a roughly "popular" poet, without a particular education on behalf of him, the metre, as well as the rhyme in "Erotokritos" are really perfect, without the rules of language or the right accentuation of words being forced. At the same time, the rhyme is everywhere particularly rich, with a big variety and is expressed effortlessly. All this characteristics are of bigger importance if we take into consideration the particularly big extent of the epic.
   By this point of view, the poem is considered to be amongst the best works of popular poetry. Regarding this, the criticsc have concluded that Kornaros didn't imitate any particular works. It is said that he must have had direct knowledge of ancient grammar, Greek, or Latin, if we exclude some Italian translations. However it's believed that he'd knowledge of Italian literature, included the part that constituted an imitation of older French "knightly" poems, while as we reported already, there are passages where the pictures and the ideas that are described, appear to emanate from Italian works. There are also explicit influences and descriptions from the Venetian environment of that time and, without any doubt, "Erotokritos" is a "romantic, erotic, occidental epic". The distribution of "Erotokritos" after its first publication in 1713 was enormous, in all the parts where there were Greeks. Of course the epic became a regular "popular reading", which was learned by heart and recited in each occasion. Verses of EROTOKRITOS were presented in the popular erotic poetry for a lot of times since then, while it gave reason for a lot of theatrical representations, creation of place-names etc. Such was its popularity that Adamantios Korais himself characterized Kornaros, in the beginning of the 19th century, as the "Homer of popular literature".

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